Sentomono
Sentomono brings together the work of Ido Ferber and Rabea Gebler, two designer-makers based in Japan whose practices span ceramics, woodworking and lacquerware. Their shared interest in traditional craftsmanship centres on objects made to be used, held and lived with. Drawing on their training in Japanese craft, they explore local materials and techniques through contemporary tableware and everyday utensils. Alongside their own work, they present pieces by emerging Japanese artisans, creating a collection shaped by different hands and approaches. Each object offers a closer connection to the materials, skills and people behind its making.
THE PROCESS
For Ido and Rabea, making is closely connected to learning: studying materials, working with specialised tools and developing skills through direct experience. Ido’s ceramic practice draws on the colours and textures of nature, particularly the ways surfaces evolve and erode. His training at Tokyo University of the Arts and apprenticeship with ceramicist Ken Matsuzaki inform an approach grounded in Japanese pottery. Across Sentomono’s collection, ceramics fired in traditional wood kilns sit alongside carved wood and lacquerware, reflecting the different processes behind everyday objects.
Rabea works with the grain and character of wood, allowing the marks of axes and knives to remain visible. Her exploration of traditional techniques includes Wagatabon trays, which she learned to carve under Shinichi Moriguchi. Originally associated with roof-shingle makers in the village of Wagatani, these trays are distinguished by carved ridges running across the wood grain.
Lacquering introduces another rhythm to the work. Urushi, a natural lacquer derived from tree sap, is applied in thin layers and allowed to cure under controlled humidity and temperature. In the wiping technique known as fuki-urushi, excess lacquer is removed before curing, and the surface is carefully sanded between applications. Repeated over several layers, this treatment protects the wood while keeping its grain visible. These methods bring together practical durability and close attention to the surfaces encountered through daily use.
For available works, commissions or further information, we welcome your enquiry. We would be pleased to share a selection of pieces and discuss their place in your collection or interior project.